
Never to be outdone by the world's multitudes, we the living seem transfixed by only one thing today written by one person who seems to have mastered the art of transfixion of a swath of people, if nothing else. Sure, why not? Is it not the custom of this country, if not the rest of Western Civilization, to flaunt one's very self when one has met the ends to do so, even if the means were more than a little suspect? This would seem to be the case if we are to get any indication from our major centers of commentary of the day. Though when not obsessing over celebraties or something similar, these magazines and websites still have things to do; policies to decry, praises to sing, events and non-events to inventory, and milestones to commemorate. This post is directed to the last item.
1989 brought much for us to celebrate and revel in as it did for us to despair over. As the ghoulish Reagan stepped down from his perch in power so, too, did the Satanic spectre of Communism, more specifically Soviet-style communism start its undignified decline. What was then called the USSR was finding itself more and more unsustainable, and while trying to compromise in some way, as China was also doing at the time (obviously with greater success), they simply (officially) ended the Revolution in 1991. As with the fall of any bloated empire, this gives various conquered or otherwise imperially influenced nations a rare opportunity to breathe in the sweet air of freedom, or at the very least, to be ruled over by figureheads not too dissimilar from the former figureheads, but from the same country, a cold comfort but comfort nonetheless.
Some complain that the end of the USSR's grip on eastern Europe overly vindicated the "neoconservatives" -- even though a good percentage of them were largley wrong about the USSR's condition -- while also leaving them frothing for more black and white-hued conflict. True in a way, though the same can be said with the American Revolution, the American Civil War and World War II, so we will never run out of things for moral tightwads to manipulate in order to assert their rightness. But with the fall of communism there is something for everyone, perhaps even Stalinists, to enjoy. Perhaps the most celebratory was the one whose 20th anniversary is being marked this week: Czechoslovokia's Velvet Revolution.
Most people remember fondly the fall of the Berlin Wall, but since it lends itself too readily to symbolism and Reaganistic simplification it's not that interesting. Czechoslovakia's break with Soviet-style oppression on the other hand is rich with complexity, tension, uncertainty, emotion and downright bizarreness. The struggles undertaken to achieve freedom and the outcomes that rose out of achieving said freedom make it particularly memorable.
Up until November of 1989, Czechoslovakia had been under the control of a particularly dissent-sensitive communist regime, coming closer than any other nation in the Eastern Bloc to embodying Big Brother. While a dissident movement had been in place well before 1989, to have actually called it a movement would have been far too generous. Ever since the spectacular failure of the Prague Spring period of 1968, a brief period of liberalization at the hands of insider Alexander Dubček put to an end quickly by the USSR's invasion of the country, the underground opposition had more going for it outside the country than in it. In addition to having his weird plays banned from being performed, writer Vaclav Havel and others like him faced not simply brutal discomfort, but total ruin for their underground activities, often in form of a DIY samizdat. They did not waver of course, with Havel going so far as to write a sprawling open letter (in addition to several other powerful essays) to Dubček's puppet replacement Gustáv Husák, telling him, to put it simply, how much his government blew. Havel was, indeed, jailed often for his activities and even risked execution by simply signing the Charter 77 manifesto (some say he played a significant part in its writing as well) that started circulating in the year of which the group was named.
Come twelve years hence, Charter 77 quickly evolved into Civic Forum upon noticing that, in the wake of the Berlin Wall incident, Poland's recent success in democratization, and their own government's potential to duplicate if not exceed the violence of Tiananmen Square earlier that year in the wake of mass strikes and protests, they had to actually organize an opposition; the Prague aesthetes had to meet the rest of the country. The meeting may well have been awkward, but it was fruitful. The Communist Party of Czechoslovakia gave up on November 28, and despite the obvious anxiety of what was to be done following that, Havel, Dubček and their colleagues were celebrated as heroes. The strangest product of this success was, of course, the election of the disheveld, chain-smoking playwright Havel as the reformed nation's first post-communist president. His actual presidency bore mixed results (chief among them the "Velvet Divorce" between the Czech Republic and Slovakia which I simultaneously remember and forget having happened), but no one can say he wasn't one of the coolest heads of state in the world -- after all, the term "Velvet Revolution" was inspired in part by Havel's admiration for the Velvet Underground. By that time our nation had been around for over two centuries and it wouldn't be for another two decades until the first cool President* would set foot in the White House. The Czech Republic itself flourishes as one of the more exotic parts of Europe. One can go so far as to declare Prague the thinking man's Paris, which is the poor man's Madrid. And the Velvet Divorce was actually quite civil compared to the horrorific unraveling of Yugoslavia around the same time.
Strangely, neither Havel nor Dubček, or anyone else, earned that oddly still-coveted Nobel prize for peace, and they actually did something, risking much in the process. The Scandinavians are a brilliant people, so one wonders why they have to imitate the Oscars and get all political on the rest of society. Whatever. Fond recollections here and here; a poigniant essay on Havel by David Remnick here; another interesting one from Slavoj Žižek here; another good one in Reason here; a report on the revolution from 1989 here. Anyone interested in checking out Havel's writing, its widely available on Amazon.com. I personally recommend Open Letters, which assembles his best essays and The Art of the Impossible which offers strong evidence to support the assertion that Havel is, if anything, one of the best speechwriters of the modern age, some of which are also online here.
* Lincoln notwithstanding. He was a laugh riot in his time but his tendency for self-deprecation was simply to far ahead of Tina Fey to ever be considered cool.

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